Brian Bielmann: 43 Years, 200 Covers, and One Very Bad Wipeout

By Abigail Abesamis Demarest  •  Photos by Brian Bielmann

Surfer-turned-photographer Brian Bielmann has captured life above and underwater for more than three decades, and he's not stopping anytime soon.

Bielmann is a legend in the photography world. Over the course of his 43-year career he's traveled all over the world and worked with some of the best surfers — Andy Irons, Bruce Irons, and Kelly Slater — and brands, with a client list that includes Quiksilver, Red Bull, and Guinness. His photos have graced more than 200 magazine covers, plus dozens of books and magazines.

Much of his work captures life on the water, including waves, surfers, and marine life, and it's no accident: surfing was Bielmann's first love.

A surfer inside a teal barrel, shot from the water
A surfer dropping down the face of a large, feathering wave

Cape Hatteras Was Our Hawaii

"I started surfing on the East Coast; I grew up in Virginia, and Cape Hatteras in North Carolina was our Hawaii," Bielmann said. "It was just so beautiful down there. If you were going to get any kind of waves at all, that's where it happened."

While it was only about a three-hour drive, Bielmann decided to move to Cape Hatteras for the last two summers before heading to Hawaii, to spend as much time on the water as possible.

"I lived with a few other guys in a trailer, and we had our little $1.50-an-hour jobs," Bielmann said. "I was making subs and once I saved up $200. Two of my friends and I jumped in a car, drove across the country for three days, and met my older brother in Hawaii."

When he woke up to blue skies, palm trees, and clear water, he knew he was never going back. "That was 45 years ago," he said.

A surfer wearing a woven flower crown sits on his board at sunset surrounded by friends in the water

The Accident That Made Him a Photographer

Bielmann's first few years in Hawaii were all about surfing and working odd jobs to pay the bills: janitor, shoe salesman, construction, perishable foods selector, to name a few.

"At some point I realized that I was 21 and had to figure out what I was going to do for a living," he said. After a month of agonizing, he decided that he would be a surf photographer.

Of course, deciding to become a photographer and actually shooting photos are two very different things, and it would be almost a year before Bielmann did the latter. "I bought all the camera equipment and just didn't use it," he said. "I couldn't get out of the water. I'd always jump in and say, 'Ok, I'm going to surf for half an hour then jump out and take pictures,' and I never would."

A surfing accident changed all that.

A monochrome frame of a surfer at the base of an enormous breaking wave

"I pulled into a tube and the wave collapsed," Bielmann said. "It threw me over with the wave breaking over the falls. I thought I was going to land on my feet, but I was upside down. I hit the reef head first and put a big hole in my head."

The doctors stitched him up, but he still had some coral in his head and the wound got infected. After an emergency surgery and a few days of waiting for the swelling to go down, Bielmann was discharged from the hospital but had to stay out of the water for three months.

He seized the opportunity to dive into photography and make it his priority. "I started shooting more and more, and eventually got my first photo published," he said. "It was a quarter page, I made $25, and from that moment on I was hooked."

Surfer Alana Blanchard leaning against her board on the beach in Kauai
"American surfer Alana Blanchard. Her first year on the surfing tour, and Transworld Surf sent me over to Kauai to shoot photos of her for an article entitled 'The Hottest Surfer in the World,' so I tried to do my best impression of the Sports Illustrated swimsuit issue. I would shoot her surfing and then shoot these photos of her looking as hot as any swimwear model on the planet."
A studio-lit portrait of an indigenous Mentawai tribesman against a black backdrop
"I was in the Mentawais in Indonesia shooting stills for the video A Fly in the Champagne, in which Andy Irons and Kelly Slater were going to do a surf trip for the first time. I had brought a black backdrop to shoot portraits of the surfers, and then one evening a few indigenous tribesmen came down to the camp and I jumped at the opportunity to shoot them. I borrowed light from the film crew, grabbed my black backdrop and got the killer portrait. It looks like a big production but it took a minute to set up and 30 seconds to shoot. I am always looking for an opportunity to shoot unplanned portraits on these trips around the world."

"I'd Like to Think I'm a Little Bit More of an Artist"

As a surfer, surfing photography came naturally — but Bielmann didn't stop there. "I'm a surfer so I'm not faking anything. I just absolutely love what I do," he said. "Unlike other sports, surfing is a lifestyle that goes beyond just competition."

A surfer racing across the face of a giant wave at Jaws, Maui
A tow-in surfer high on the shoulder of a mountainous wave

On surf trips to Tahiti, for example, Bielmann shoots all the action at surfing contests, but he'll also shoot underwater on flat days and travel around the island to shoot lifestyle photos and portraits. By diversifying the types of photos he takes, Bielmann has been able to sell his work to magazines, advertisers, and even art lovers.

A split-level shot of a green sea turtle over a reef with an island in the background

"People that don't even know about surfing love waves," he said. "I have a much bigger market than I would if I was just an action photographer. The funny thing is that I've never considered myself to be an action photographer. I'd like to think I'm a little bit more of an artist. I'm a little of both, I guess."

A humpback whale and calf in clear blue open water
A moody monochrome frame of a surfer dwarfed by a storm-lit wave
A surfer launching an aerial off the lip in black and white

Still Hanging In There

After more than four decades of taking photos professionally, he's still at it. "Years and years of shooting and now all of a sudden I'm the legend, which just means old guy," Bielmann said. "I've watched many generations of photographers come and go, and I'm still doing it, I'm still hanging in there."

Spectator boats packed into the channel at Teahupo'o beneath Tahiti's green peaks

At 64, Bielmann isn't flying around the world chasing swells as often as he did in his peak magazine days, but he's still taking plenty of photos.

"This past winter in Hawaii was the best winter we've ever had," he said. "Out of 60 days I only had a day and a half off in a row."

A long line of surfers linking hands in a paddle-out ceremony at sunset

Looking back at his career, there's no doubt that Bielmann has led an exciting life. "I tend to live my life with the glass half full," he says. "Being gone is an adventure, but so is coming home."

Four surfers in board shorts posing on a white sand beach
A monochrome portrait of a swimmer with arms outstretched on the surface

Originally published in Beach Happy Magazine, Volume 9 (Summer 2022). Story by Abigail Abesamis Demarest. All photographs by Brian Bielmann. For more, visit brianbielmann.com or follow him on Instagram at @brianbielmann.